It's fun and a good way to generate interest. The public derive great pleasure, wandering through the plinths displayed on the manicured lawns at Hutton in the Forest during Potfest, with slips of paper ready to cast their vote.
Now you can take the easy route and use a piece of work from your repertoire, write some clever words to justify the choice and surreptitiously slide it onto the lawn, or do as most do, spend weeks or at least many hours toiling over ceramic creations.
Faced with a title of so few words, creativity deserts me and weeks are spent trying to come up with that killer idea. Seeing all these wonderful, witty, amazing works of art on their plinths, I wonder why I never thought of that as ideas start to flow. Weeks too late of course, the die is set.
The garden around my workshop is littered with pots that never quite made it to the shard pile. It is the resting place for most of my competition pieces. Pots produced after days of toil never quite reaching the heights of my expectations, lie like shipwrecks amongst the gravel and Alchemilla Mollis.
I am not a blank, white paper creative. I find it's emptiness quite scary. My creativity needs a kickstart, I'm more of a problem solver. My work evolves, brick on brick, an accident observed and worked on, needing a 'wonder if' moment. There are no summer revolutions at Thrussington Pottery. I guess that when I look back at stuff made five years ago, things have moved on, more refined, more subtle, shapes have changed, but no one can wait five years for my master piece. So I stare at the title and end up doing the first thing I can think of when time runs out and panic kicks in. Usually because I HAVE to fire the kiln because I need the other work it contains.
So this year, determined to make a more timely effort, I started to take it seriously the moment the task was issued.
You would think that 'From the Sea' was a gift as a theme, all those fishy puns trawled up shoals of ideas. But wracked, or should it be wrecked with indecision, I started construction on the first half decent idea my addled brain would spawn.
An Amphora, with reclining mermaids for handles - an inscription perhaps ... some lines from Shakespeare's Tempest?
Full fathom five thy father lies; of his bones are coral made:
Those are pearls that were his eyes:
Nothing of him that doth fade,
but doth suffer a sea change into something rich and strange.
Sea-nymphs hourly ring his bell:
Hark! Now I hear them,
As a graphic designer, a bit of brush script should be a doddle.
The only thing about all this is, it makes you attempt something outside your comfort zone. Problem is you only get one shot at it, if you screw up, then you miss the tide.
It seemed appropriate as the title indicated, to return this pot to the sea from whence it had emerged as the birth of it's creation. On a recent trip to Flamborough Head, we did just that. Waiting for high tide, the vessel was committed to the sea.
I was all for leaving it to it's own fate in the surf.